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Baer is considered a participant in the development of Minimalism, through work that adhered to a vocabulary of visual elements, in predominantly white paintings with bands of color highlighting their edges. Though her early work was nonobjective, after a 1975 retrospective at the Whitney Museum, Baer moved to Ireland and began work that illustrated her own concept of “radical figuration,” which included fragmentary images, some sourced from art history. She is also known as a writer who countered Donald Judd and Robert Morris's notion of Minimalism in published statements.
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