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Chinese hibiscus, Hibiscus rosa sinensis, native to Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Chinese hibiscus, Hibiscus rosa sinensis, native to Asia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Creeping snapdragon or chickabiddy, Maurandya scandens, native to Mexico. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Creeping snapdragon or chickabiddy, Maurandya scandens, native to Mexico. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Pink swamp heath, Sprengelia, incarnata, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Pink swamp heath, Sprengelia, incarnata, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Firecracker flower, Crossandra infundibuliformis, native to the East Indies. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Firecracker flower, Crossandra infundibuliformis, native to the East Indies. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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White lady, Thunbergia fragrans, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

White lady, Thunbergia fragrans, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Mayflower or trailing arbutus, Epigaea repens, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Mayflower or trailing arbutus, Epigaea repens, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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Orchid cactus, Disocactus speciosus, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Orchid cactus, Disocactus speciosus, native to America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569784

Chinese hawthorn, Crataegus sinensis, native to China. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Chinese hawthorn, Crataegus sinensis, native to China. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569801

Bushy triggerplant, Stylidium glandulosum, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Bushy triggerplant, Stylidium glandulosum, native to Australia. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569828

Manner of catching fish by the spring-hook and spring-basket, 1796 (hand coloured engraving)

Manner of catching fish by the spring-hook and spring-basket, 1796 (hand coloured engraving)

Stedman, John Gabriel (1744-97)

NBY3671042

Gowin Knight, scientist, c 1751

Gowin Knight, scientist, c 1751

UIS5071093

Facade de l'Hotel de la Marine (Hotel du Garde Meuble), French civil architecture, built between 1757 and 1772 to house the Garde Meuble of the Crown. With its counterpart, the hotel des Monnins (present hotel of Crillon), it is part of an architectural ensemble, Place Louis XV, designed by the first architect of the King, Ange Jacques Gabriel (1698-1782), which became the Place de la Concorde, the hotel now houses the general staff of the National Navy. Photography, KIM Youngtae, Paris.

Facade de l'Hotel de la Marine (Hotel du Garde Meuble), French civil architecture, built between 1757 and 1772 to house the Garde Meuble of the Crown. With its counterpart, the hotel des Monnins (present hotel of Crillon), it is part of an architectural ensemble, Place Louis XV, designed by the first architect of the King, Ange Jacques Gabriel (1698-1782), which became the Place de la Concorde, the hotel now houses the general staff of the National Navy. Photography, KIM Youngtae, Paris.

Kim Young Tae

YOU4418991

Order of march thro the woods of Surinam, 1796 (hand coloured engraving)

Order of march thro the woods of Surinam, 1796 (hand coloured engraving)

Stedman, John Gabriel (1744-97)

NBY3671018

A Surinam planter in his morning dress, 1796 (hand coloured engraving)

A Surinam planter in his morning dress, 1796 (hand coloured engraving)

Stedman, John Gabriel (1744-97)

NBY3671069

Emperor Nicolas I of Russia (1796-1855), 1880 (watercolour on paper)

Emperor Nicolas I of Russia (1796-1855), 1880 (watercolour on paper)

Kivshenko, Aleksei Danilovich (1851-95)

FIA5381141

View of Huaheine, drawn from nature by John Webber and engraved by W. Byrne. A view of Fare Harbour. In the bay are the `Resolution' and the `Discovery', and many native craft. Palm trees are at the left. By the shore a group of natives are tending a double canoe with a deck-house. In the background and along the shore are native huts. On the far left is Mount Turi.

View of Huaheine, drawn from nature by John Webber and engraved by W. Byrne. A view of Fare Harbour. In the bay are the `Resolution' and the `Discovery', and many native craft. Palm trees are at the left. By the shore a group of natives are tending a double canoe with a deck-house. In the background and along the shore are native huts. On the far left is Mount Turi.

BL3294008

'The death of Captain Cook'. Captain James Cook was killed in Hawaii in a fight with Hawaiians during his third exploratory voyage in the Pacific in 1779.

'The death of Captain Cook'. Captain James Cook was killed in Hawaii in a fight with Hawaiians during his third exploratory voyage in the Pacific in 1779.

BL3294452

A sea otter. Seen during Captain Cook's third voyage.

A sea otter. Seen during Captain Cook's third voyage.

BL3294570

Russian-Ottoman War: "The Naval Battle of the Chateau de Damiette in 1770", 1770-72 (gouache)

Russian-Ottoman War: "The Naval Battle of the Chateau de Damiette in 1770", 1770-72 (gouache)

Hackert, Jacob-Philippe (1737-1807)

FIA5367461

The Quato & Saccawinkee monkeys, 1796 (hand coloured engraving)

The Quato & Saccawinkee monkeys, 1796 (hand coloured engraving)

Stedman, John Gabriel (1744-97)

NBY3671062

The mountain cabbage & Maureecee tree, 1796 (hand coloured engraving)

The mountain cabbage & Maureecee tree, 1796 (hand coloured engraving)

Stedman, John Gabriel (1744-97)

NBY3671004

Humming bird, with its nest, 1796 (hand coloured engraving)

Humming bird, with its nest, 1796 (hand coloured engraving)

Stedman, John Gabriel (1744-97)

NBY3671040

Lychee tree, Litchi chinensis, native to Asia, showing leaves, fruit and seed. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Lychee tree, Litchi chinensis, native to Asia, showing leaves, fruit and seed. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569930

Branch and flowers of Japanese naflier - Loquat tree or Japanese medlar, Eriobotrya japonica, native to China. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Branch and flowers of Japanese naflier - Loquat tree or Japanese medlar, Eriobotrya japonica, native to China. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569708

Rush lily, Sowerbaea juncea, native to Australia. Named for the botanical artist James Sowerby. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Rush lily, Sowerbaea juncea, native to Australia. Named for the botanical artist James Sowerby. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Sowerby, James (1757-1822)

FLO4569856

Otaheite. [Top drawing]: Paiheas long house. (Lower drawing]: House and plantation of a chief of Otaheite.

Otaheite. [Top drawing]: Paiheas long house. (Lower drawing]: House and plantation of a chief of Otaheite.

BL3293960

Otaheite. Sketches of dancing girls.

Otaheite. Sketches of dancing girls.

BL3294145

The inside of the house, in the morai in Atooi. Showing the interior of the long house or mana in the heiau (morai) at Waimea, Kauai with carved representations of the gods. On the head of one was carved a cap like a helmet worn by the ancient warriors and on the other a round headdress. Offerings of several strips have been placed on them and about them, and on the other piece of carving between them. In front of the carvings lies is a heap of a plant. Before this, and in the middle if the house, is an oblong space, enclosed by a low edging of stone and covered over with pieces of cloth.

The inside of the house, in the morai in Atooi. Showing the interior of the long house or mana in the heiau (morai) at Waimea, Kauai with carved representations of the gods. On the head of one was carved a cap like a helmet worn by the ancient warriors and on the other a round headdress. Offerings of several strips have been placed on them and about them, and on the other piece of carving between them. In front of the carvings lies is a heap of a plant. Before this, and in the middle if the house, is an oblong space, enclosed by a low edging of stone and covered over with pieces of cloth.

BL3294360

A Morai or temple of a pyramidical shape, Society Islands, 1768-80 (pencil on paper)

A Morai or temple of a pyramidical shape, Society Islands, 1768-80 (pencil on paper)

English School, (18th century)

BL3294109

The green butterfly of South America & the rattle snake & dypsas of Guiana, 1796 (hand coloured engraving)

The green butterfly of South America & the rattle snake & dypsas of Guiana, 1796 (hand coloured engraving)

Stedman, John Gabriel (1744-97)

NBY3671037

Canary madrone or strawberry tree, Arbutus canariensis, native to the Canary Islands, vulnerable. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Canary madrone or strawberry tree, Arbutus canariensis, native to the Canary Islands, vulnerable. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569756

New Zealand flax, Phormium tenax, native to New Zealand and Norfolk Island. Handcoloured stipple engraving on copper by Le Jeune from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,”” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

New Zealand flax, Phormium tenax, native to New Zealand and Norfolk Island. Handcoloured stipple engraving on copper by Le Jeune from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,”” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569768

Rocketry, Pre-20th Century Two Carte lifesaving rockets, c 1849

Rocketry, Pre-20th Century Two Carte lifesaving rockets, c 1849

UIS5087233

Tahiti: 'A View of Matavai Bay', William Hodges, c. 1775

Tahiti: 'A View of Matavai Bay', William Hodges, c. 1775

PFH1172123

Society Islands. Double canoes, 1768-80 (engraving)

Society Islands. Double canoes, 1768-80 (engraving)

English School, (18th century)

BL3293961

Otaheite. Sketches of dancing girls.

Otaheite. Sketches of dancing girls.

BL3294190

Otaheite. [Upper drawing]: A Tupapow in the Island of Otaheite. [Lower drawing]: A mourner approaching a chamber containing a dead body.

Otaheite. [Upper drawing]: A Tupapow in the Island of Otaheite. [Lower drawing]: A mourner approaching a chamber containing a dead body.

BL3294111

Winged Victory holding drapery of royal dais of San Carlo Theater, 18th-19th century, by Giovanni Antonio medrano (1703-1760) and Antonio Niccolini (1722-1850) Naples, Campania, Italy

Winged Victory holding drapery of royal dais of San Carlo Theater, 18th-19th century, by Giovanni Antonio medrano (1703-1760) and Antonio Niccolini (1722-1850) Naples, Campania, Italy

Medrano, Giovanni Antonio (1703-60)

L Romano

DGA3676168

Facade of the hotel de la Marine (hotel du Garde Meuble), French civil architecture, built between 1757 and 1772 to house the Garde Meuble of the Crown. With its counterpart, the hotel des Monnins (now the hotel de Crillon), it is part of an architectural ensemble, Place Louis XV, designed by the first architect of the King, Ange Jacques Gabriel (1698-1782) , now the Place de la Concorde, the hotel now houses the headquarters of the National Navy. Photography, KIM Youngtae, Paris.

Facade of the hotel de la Marine (hotel du Garde Meuble), French civil architecture, built between 1757 and 1772 to house the Garde Meuble of the Crown. With its counterpart, the hotel des Monnins (now the hotel de Crillon), it is part of an architectural ensemble, Place Louis XV, designed by the first architect of the King, Ange Jacques Gabriel (1698-1782) , now the Place de la Concorde, the hotel now houses the headquarters of the National Navy. Photography, KIM Youngtae, Paris.

Kim Young Tae

YOU4419923

Facade de l'Hotel de la Marine (Hotel du Garde Meuble), French civil architecture, built between 1757 and 1772 to house the Garde Meuble of the Crown. With its counterpart, the hotel des Monnins (now hotel de Crillon), it is part of an architectural ensemble, Place Louis XV, designed by the first architect of the King, Ange Jacques Gabriel (1698-1782), now the place de la Concorde, the hotel houses the headquarters of the National Navy. Photography, KIM Youngtae, Paris.

Facade de l'Hotel de la Marine (Hotel du Garde Meuble), French civil architecture, built between 1757 and 1772 to house the Garde Meuble of the Crown. With its counterpart, the hotel des Monnins (now hotel de Crillon), it is part of an architectural ensemble, Place Louis XV, designed by the first architect of the King, Ange Jacques Gabriel (1698-1782), now the place de la Concorde, the hotel houses the headquarters of the National Navy. Photography, KIM Youngtae, Paris.

Kim Young Tae

YOU4419924

Mosquito flower or pink brush, Lopezia racemosa, native to Mexico. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Mosquito flower or pink brush, Lopezia racemosa, native to Mexico. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4570033

Broad leaved pitcairnia, Pitcairnia bifrons, native to South and Central America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Broad leaved pitcairnia, Pitcairnia bifrons, native to South and Central America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569620

Golden flame lily, Pyrolirion aureum, native to Peru and Chile. Handcoloured stipple engraving on copper by Guyard Pater from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Golden flame lily, Pyrolirion aureum, native to Peru and Chile. Handcoloured stipple engraving on copper by Guyard Pater from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569424

Perfume passionflower, Passiflora violacea (Passiflora caerulea x Passiflora racemosa). Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Perfume passionflower, Passiflora violacea (Passiflora caerulea x Passiflora racemosa). Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569480

Napoleonic War: “The Surrender of Huningue” on August 26, 1815. The French army accepted its defeat against Austria and left the city of Huningue (Haut Rhine, 68). Head of the cortege was the French general Joseph Barbanegre (1772-1830). Archduke Jean, commander of the Austrian army, came forward to testify his admiration, which Barbanegre refused. Reproduction of the eponym painting by Edouard Detaille (1848-1912). Illustration in “” Le Pelerin”” of May 31, 1931.

Napoleonic War: “The Surrender of Huningue” on August 26, 1815. The French army accepted its defeat against Austria and left the city of Huningue (Haut Rhine, 68). Head of the cortege was the French general Joseph Barbanegre (1772-1830). Archduke Jean, commander of the Austrian army, came forward to testify his admiration, which Barbanegre refused. Reproduction of the eponym painting by Edouard Detaille (1848-1912). Illustration in “” Le Pelerin”” of May 31, 1931.

French School, (20th century)

Stefano Bianchetti

XEE4164605

Canoes of Oonalashka. Drawn by John Webber and engraved by William Angus. Two drawings of canoeists off the Alaskan coast. The two figures in the top canoe come from Prince William Sound and are wearing the cone-shaped headwear. The canoeist below is a native of Unalaska and is wearing a visor. Both drawings show the skin-hoop fastened to the men's frocks and worn to keep water out of the kayak.

Canoes of Oonalashka. Drawn by John Webber and engraved by William Angus. Two drawings of canoeists off the Alaskan coast. The two figures in the top canoe come from Prince William Sound and are wearing the cone-shaped headwear. The canoeist below is a native of Unalaska and is wearing a visor. Both drawings show the skin-hoop fastened to the men's frocks and worn to keep water out of the kayak.

BL3294476

A woman of Prince William's Sound. Drawn by John Webber and engraved by James Basire. Drawing of the head and shoulders of a woman turned three-quarters to the left. She is wearing a close-fitting skin jacket and a fur slung over the shoulders. She has two bone ornaments through her nose and beads attached in strings to the lower lip and from the ears. The top-half of her face and the bottom her chin are a shade darker. Her hair is worn to the shoulder with a small amount tied on top of her head.

A woman of Prince William's Sound. Drawn by John Webber and engraved by James Basire. Drawing of the head and shoulders of a woman turned three-quarters to the left. She is wearing a close-fitting skin jacket and a fur slung over the shoulders. She has two bone ornaments through her nose and beads attached in strings to the lower lip and from the ears. The top-half of her face and the bottom her chin are a shade darker. Her hair is worn to the shoulder with a small amount tied on top of her head.

BL3294507

Natives of Oonalashka and their habitations. Drawn by John Webber and engraved by S. Middiman. Shows several women and children, standing and seated on a mound. On the right near the shore are men with kayaks one of which is leaning on a wooden rack where a fishing net is hanging. In the background are hills covered with low-growing vegetation leading down steeply to a rocky shore line. Men can be seen sailing kayaks near the shore.

Natives of Oonalashka and their habitations. Drawn by John Webber and engraved by S. Middiman. Shows several women and children, standing and seated on a mound. On the right near the shore are men with kayaks one of which is leaning on a wooden rack where a fishing net is hanging. In the background are hills covered with low-growing vegetation leading down steeply to a rocky shore line. Men can be seen sailing kayaks near the shore.

BL3294508

A Kangaroo. Captain James Cook and his men were some of the first Europeans to see and record the appearance of this Australian marsupial, on 23 June 1770 at the Endeavour River.

A Kangaroo. Captain James Cook and his men were some of the first Europeans to see and record the appearance of this Australian marsupial, on 23 June 1770 at the Endeavour River.

BL3294562

A man of Kamchatka. Drawn from nature by John Webber, engraved by W. Sharp. In 1779, Captain James Cook's Discovery and Resolution anchored in the bay of Petropavlovsk-Kamchatsky, following Cook's death.

A man of Kamchatka. Drawn from nature by John Webber, engraved by W. Sharp. In 1779, Captain James Cook's Discovery and Resolution anchored in the bay of Petropavlovsk-Kamchatsky, following Cook's death.

BL3294564

Man of Easter island. Drawn from nature by William Hodges and engraved by Francesco Bartolozzi. Head and sholders frontal portrait of a Polynesian man of Easter Island (Rapanui). He is shown with a feathered headdress, a cloak around his shoulders and extremely elongated earlobes.

Man of Easter island. Drawn from nature by William Hodges and engraved by Francesco Bartolozzi. Head and sholders frontal portrait of a Polynesian man of Easter Island (Rapanui). He is shown with a feathered headdress, a cloak around his shoulders and extremely elongated earlobes.

BL3294362

New Zealand'. 'New Zealand canoe, the crew peaceable'.

New Zealand'. 'New Zealand canoe, the crew peaceable'.

BL3284311

A dancing girl (of Otaheite). Drawn by John Webber and engraved by John Keyse Sherwin. A girl dancing in a long gown with highly puckered ruffs of tapa attached to the back of the waist and feathery pompons covering the breasts. Several long tassels are hanging from her waist, and on her head is wearing a headdress of plaited hair ormanented with blossoms of Cape jasmine. A mat of rushes has been laid to dance upon. In the background is vegatation and a thatched building.

A dancing girl (of Otaheite). Drawn by John Webber and engraved by John Keyse Sherwin. A girl dancing in a long gown with highly puckered ruffs of tapa attached to the back of the waist and feathery pompons covering the breasts. Several long tassels are hanging from her waist, and on her head is wearing a headdress of plaited hair ormanented with blossoms of Cape jasmine. A mat of rushes has been laid to dance upon. In the background is vegatation and a thatched building.

BL3294144

Otaheite. Four sketches of inhabitants.

Otaheite. Four sketches of inhabitants.

BL3294209

Society islands. (Top drawing): View in the island of Huaheine with an Ewharra and a small altar with an offering on it. Open-sided building with religious significance, with offering table, for a sacrifice. (Bottom drawing): View of a Ewhana tree.

Society islands. (Top drawing): View in the island of Huaheine with an Ewharra and a small altar with an offering on it. Open-sided building with religious significance, with offering table, for a sacrifice. (Bottom drawing): View of a Ewhana tree.

BL3294064

The fleet of Otaheite assembled at Oparre. Society islands. Painted by William Hodges and engraved by W. Woollett. Shows a double-hulled war canoe in the foreground, with a figure in a tall white-feathered headdress at the left end, and about fifteen men sitting on the boat's platform. In the right background are two other boats of the same design, flying small square sails tied to the high stern ends. Hodges made the original picture in May 1774 or later, on Cook's second voyage.

The fleet of Otaheite assembled at Oparre. Society islands. Painted by William Hodges and engraved by W. Woollett. Shows a double-hulled war canoe in the foreground, with a figure in a tall white-feathered headdress at the left end, and about fifteen men sitting on the boat's platform. In the right background are two other boats of the same design, flying small square sails tied to the high stern ends. Hodges made the original picture in May 1774 or later, on Cook's second voyage.

BL3294094

Otaheite. Dress of the chief mourner.

Otaheite. Dress of the chief mourner.

BL3294110

Velvet groundsel, Roldana petasitis, native to Mexico and central America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Velvet groundsel, Roldana petasitis, native to Mexico and central America. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569914

Bitterwortel or bitter root, Chironia linoides, native to South Africa. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Bitterwortel or bitter root, Chironia linoides, native to South Africa. Handcoloured stipple engraving on copper by Barrois from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

FLO4569982

Winged-stem passion flower, Passiflora alata, native to Brazil. Handcoloured stipple engraving on copper by Goulet from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

Winged-stem passion flower, Passiflora alata, native to Brazil. Handcoloured stipple engraving on copper by Goulet from a botanical illustration by Pancrace Bessa from Mordant de Launay's “Herbier General de l'Amateur,” Audot, Paris, 1820. The Herbier was published from 1810 to 1827 and edited by Mordant de Launay and Loiseleur-Deslongchamps. Bessa (1772-1830s), along with Redoute and Turpin, is considered one of the greatest English botanical artists of the 19th century.

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